Fragmented Identities in the Third Space: Hybridity, Chinese American Identity, and the American Frontier in How Much of These Hills Is Gold
DOI:
https://doi.org/10.63954/wajss.v5i1.517Keywords:
Hybridity, Third Space, Fragmented Identity, Cultural Conflict, Chinese American LiteratureAbstract
This study analyzes the portrayal of fragmented identity in C Pam Zhang’s How Much of These Hills Is Gold (2020) through Homi K. Bhabha’s concepts of the Third Space and hybridity. The novel dramatizes the position of Chinese Americans caught between inherited cultural memory and the nineteenth-century American frontier, and it therefore offers rich material for the study of identity construction. Lucy and Sam are read as characters whose displacement, in-betweenness, and cultural conflict place them in an interstitial space where identity and belonging are continually negotiated rather than inherited. The study also examines how Zhang uses gold, bones, and the tiger to figure fragmented and hybrid identity, and how the novel’s perspective, tense, and chronology support that reading. It employs qualitative textual analysis and close reading, with Bhabha’s framework as the main analytical lens. The analysis finds that the novel undermines essentialist understandings of identity by presenting identity as relational, fluid, and formed through displacement and cultural engagement, and that fragmented identity arises from the interplay of displacement, cultural conflict, in-betweenness, and hybridity. The study concludes that Bhabha’s notions of hybridity and the Third Space remain useful for reading the experience of people caught between cultures.
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Copyright (c) 2026 Maliaka Khalid, Madya Asgher

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